A Few 19C American Women

Gorge Henry Durrie (1820-1863) Sarah Murcelus 1841
George Cooke (1793–1849) Lucie Harvie Hull of Athens, Georgia
James Reid Lambdin (1807–1889) Sarah Joseph Hale
Erastus Salisbury Field (1805–1900) Portrait of a Woman said to be Clarissa Gallond Cook in front of a Cityscape
Cephas Giovanni Thompson (1809 – 1888) Portrait of a Woman
Gorge Henry Durrie (1820-1863) Mrs John Forman 1841
James Reid Lambdin (1807–1889) Mrs James Reid Lambdin (Mary Ohara Cochran)..

Winter in 19C America - Samuel S. Carr (American artist, 1837–1908)

Samuel S. Carr (American artist, 1837–1908) A Cold Walk Home

Lady Liberty in 19C America

In the 19th century, as the country grew and faced new challenges, Lady Liberty changed to reflect the times.

 

Lady Liberty with an eagle holding a liberty cap and resting on a shield.

 Lady Liberty & a bald eagle sit in a field of stars, each holding a banner declaring E Pluribus Unum. Lady Liberty is fending off an arrow attack with her American shield, while holding a cache of weapons securely beneath her foot.
>   A seated Lady Liberty holds a liberty cap on a pole & an American shield supported by images of industry & sea power behind her.

 Lady Liberty holds a liberty cap on a pole & an American shield in front of bustling American industry behind her.
Lady Liberty holds the American flag & points toward the future.
 Here is Lady Liberty pointing to the future, while holding an American flag & standing on a pedestal engraved with the year 1776, which also supports an American eagle.

Lady Liberty Civil War

Statue of Liberty 1886

After the Statue of Liberty of 1886

1892 Lady Liberty

Winter in 19C America - William Charles Anthony Frerichs (Belgium-born American artist)

William Charles Anthony Frerichs (Belgium-born American artist) Ice Skating

Winter in 19C America - Eastman Johnson (American Painter, 1824-1906)

Eastman Johnson (American Painter, 1824-1906)  On Their Way to Camp

Winter in 19C America - James Brade Sword (American artist, 1839–1915)

James Brade Sword (American artist, 1839–1915) Winter Landscape

Women on the North American Canadian Frontier in 19C - by Dutch-born Cornelius Krieghoff 1815-1872

Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) Bringing in the Deer

Cornelius Krieghoff 1815-1872 was born in Amsterdam, spent his formative years in Bavaria, & studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec & moved to the Montreal area, where he painted genre paintings of the people & countryside of Canada. According to Charles C. Hill, Curator of Canadian Art at the National Gallery, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, & the hardships & daily life of people living on the edge of new frontiers." Krieghoff moved to Quebec from 1854-1863, before he came to Chicago to live with his daughter.

South Carolina Churches in the Early 19C

Artist Charles Fraser (1782-1760) painted a series of watercolors of churches & meeting houses in South Carolina. He depicts broad swipes of landscapes allowing the viewer to see the buildings in the ground planned around them. These images & his descriptions are from the Carolina Art Association Gibbes Museum of Art, Charleston, South Carolina.
Charles Fraser (1782-1860) A VIEW IN ST. THOMAS’ PARISH POMPION HILL CHAPEL.

The 1765 church was called "Punkin Hill" locally. The Parish of St. Thomas & St. Dennis was made from the union of the Huguenot Church St. Denis & the Parish of St. Thomas which had been laid off by the Church Act of 1706. In Day on Cooper River it says: “on a high bluff, raising abruptly from the bed of the river, stands the Parish Chapel, commonly known as Pompion Hill Chapel, taking its name from the hill on which it stands.”
Charles Fraser (1782-1860) THE CHURCH IN ST. ANDREW’S PARISH, APRIL 1800.

Established on the west bank of the Ashley River in 1706, by 1722 the original church had became too small for the parishioners. The church was enlarged in the form of a cross, with a gallery at the west end designated for “people of colour.” Destroyed by fire, it was rebuilt by subscription in 1764, and it covered a great territory. It maintained a Chapel of Ease on James’ Island, which was attended by many Presbyterians on the Island; but, after 1787, the Reverend Thomas Mills states that “the inhabitants of James Island, who were nearly all Presbyterians, or Independents, had procured a minister and organized a Church of their own. After this period, in conformity with the injunctions of the Vestry, my Pastoral duties were generally confined to St. Andrew’s on the main.”
Charles Fraser (1782-1860). CHURCH IN ST. JAMES’ PARISH, GOOSE CREEK.

St. James’ Parish, Goose Creek, was laid off in 1706, and the church was completed in 1719. “So numerous was the congregation of this church that its capacity was found in a few years wholly insufficient”, and a Chapel of Ease was erected about 7 miles from the original church structure.
Charles Fraser (1782-1860) CHURCH ON JOHN’S ISLAND.

This was St. John’s Colleton, which had been a part of St. Paul’s but was separated from it in 1734, and served “John’s Island, Wadmalaw Island, Edisto Island, and the other adjacent Islands to the seaward.”
Charles Fraser (1782-1860) MEETING-HOUSE IN PRINCE WILLIAM’S PARISH.

The Stony Creek Presbyterian Church built in Indian Land on Stony Creek near Pocotaligo in 1743. Fraser notes in his Reminiscences, even during his boyhood, the Presbyterian "dissenters" never called their places of worship churches.
Charles Fraser (1782-1860)A MEETING-HOUSE NEAR JACKSONBOROUGH, 1799.

This is the meeting-house of Bethel Congregation of Pon Pon organized in St. Bartholomew’s Parish in 1728 and first ministered to by the Reverend Archibald Stobo, the Father of Presbyterianism in South Carolina. One historian told of Reverend Robert Baron, sent out to St. Bartholomew’s Parish by the Society for the Propagation of the gospel in 1753: “He arrived at Charles Town June 1st and entered on the duties of his cure on the 7th of that month. Mr. Baron was soon after taken ill, and had a severe seasoning, as it is usually called. His Parishioners were scattered over a great extent of country, and were an orderly and well behaved people. The Presbyterians were numerous, but they all lived together in mutual friendship and Christian charity.”
Charles Fraser (1782-1860) REMAINS OF THE CHURCH IN PRINCE WILLIAM’S PARISH.

This parish was often called Sheldon Church because of its proximity to the Bull plantation of that name. “An instance of the hospitality of Carolina, connected with the history of Sheldon Church, has been stated to us b y those who knew the fact. Stephen Bull who live in its vicinity, usually invited as his guests, on the Sabbath, the more respectable part of the Congregation who attended divine service; while his overseer, by his direction, and at his expense, liberally entertained the rest. At that time, seldom less than 60 or 70 carriages, of various descriptions were seen at the Church on the Lord’s Day. It was burnt in 1780 by the British under General Prevost, on their march from Savannah to the siege of CharlesTown.” It was rebuilt on its original lines after the Revolution.
Charles Fraser (1782-1860) THE CHURCH IN ST. BARTHOLOMEW’S PARISH, 1796.

“This part of Colleton County was made a Parish, by an act passed Dec. 18, 1708.” The first missionary, sent by the Society for the Propagation of the Gospel in Foreign Parts was a Reverend Mister Osborn, who arrived in 1713. “His cure was very extensive, and his duty laborious. It was 40 miles long, and 30 wide…He officiated at five different places for the accommodations of his parishioners…Mr. Osborn was greatly esteemed and the Church flourished under his care. This prosperity, however, was soon interrupted. In 1715 the Indian War [Yemassee] broke out and the savages destroyed all the plantations in the Parish…The Missionary with difficulty escaped to Charles Town." By 1760 two brick Chapels of Ease had been built. The Church in this sketch was the Chapel of Pon Pon, which was burnt to the birck walls by the British during the Revolution but rebuilt after the war. The locals then called it "the Burnt Church."
Charles Fraser (1782-1860) A VIEW OF ST. JAMES’ CHURCH, GOOSE CREEK, FROM THE PARSONAGE.

The parsonage stood on a slight hill and its lane led dircectly to the church door. In the woods is a small 1759 vestry building, where Parish business could be transacted and where coachmen & grooms might take shelter..

Early 19th-Century Landscapes of South Carolina

South Carolina artist Charles Fraser (1782-1860) painted some watercolors of the landscapes he saw around him in the late 18th and early 19th centuries. These are from the Carolina Art Association Gibbes Museum of Art, Charleston, South Carolina.

The South View of Fort Mechanic Charleston, July 4, 1796.

South West View of Newport.

Sheldon.

Near Charleston, June, 1805.

Capt. Frederick Fraser's Place, Prince William's Parish.

Another View of Richmond.

A View on Mepkin.

A View Near Charleston , 1801, Where St. Paul's Church Now Stands, Ratcliffe Lands.

A View Mr. Lindsay's From South Bay, May 10th..

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