Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) Indian Woman Moccasin Seller
Cornelius Krieghoff 1815-1872 was born in Amsterdam, spent his formative years in Bavaria, & studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec & moved to the Montreal area, where he painted genre paintings of the people & countryside of Canada. According to Charles C. Hill, Curator of Canadian Art at the National Gallery, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, & the hardships & daily life of people living on the edge of new frontiers" Krieghoff moved to Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Showing posts with label US History. Show all posts
Showing posts with label US History. Show all posts
Thursday, April 25, 2019
Wednesday, April 17, 2019
Women on the North American Canadian Frontier in 19C - by Dutch-born Cornelius Krieghoff 1815-1872
Cornelius Krieghoff was born in Amsterdam, spent his formative years in Bavaria, and studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec and moved to the Montreal area, where he created genre paintings of the people & countryside of Canada. According to Charles C. Hill, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, and the hardships and daily life of people living on the edge of new frontiers" Krieghoff lived in Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) The Blizzard 1857
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) The Blizzard 1857
Labels:
Months/Seasons/Weather/Time,
Native Americans/Indigenous Peoples/Westward Expansion,
US History
Saturday, April 13, 2019
Women on the North American Canadian Frontier in 19C - by Dutch-born Cornelius Krieghoff 1815-1872
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) J B Jolifou, Aubergiste
Cornelius Krieghoff was born in Amsterdam, spent his formative years in Bavaria, and studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec and moved to the Montreal area, where he created genre paintings of the people & countryside of Canada. According to Charles C. Hill, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, and the hardships and daily life of people living on the edge of new frontiers" Krieghoff lived in Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Cornelius Krieghoff was born in Amsterdam, spent his formative years in Bavaria, and studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec and moved to the Montreal area, where he created genre paintings of the people & countryside of Canada. According to Charles C. Hill, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, and the hardships and daily life of people living on the edge of new frontiers" Krieghoff lived in Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Labels:
Months/Seasons/Weather/Time,
Native Americans/Indigenous Peoples/Westward Expansion,
US History
Sunday, April 7, 2019
Women on the North American Canadian Frontier in 19C - by Dutch-born Cornelius Krieghoff 1815-1872
From Europe to the Atlantic coast of America & on to the Pacific coast during the 17C-19C, settlers moved West encountering a variety of Indigenous Peoples who had lived on the land for centuries. Cornelius Krieghoff was born in Amsterdam, spent his formative years in Bavaria, and studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec and moved to the Montreal area, where he created genre paintings of the people & countryside of Canada. According to Charles C. Hill, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, and the hardships and daily life of people living on the edge of new frontiers" Krieghoff lived in Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) Log Hut on the St Maurice
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) Log Hut on the St Maurice
Labels:
Months/Seasons/Weather/Time,
Native Americans/Indigenous Peoples/Westward Expansion,
US History
Wednesday, March 6, 2019
Lady Liberty in 19C America
In the 19th century, as the country grew and faced new challenges, Lady Liberty changed to reflect the times.
Lady Liberty with an eagle holding a liberty cap and resting on a shield.


Lady Liberty & a bald eagle sit in a field of stars, each holding a banner declaring E Pluribus Unum. Lady Liberty is fending off an arrow attack with her American shield, while holding a cache of weapons securely beneath her foot.
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A seated Lady Liberty holds a liberty cap on a pole & an American shield supported by images of industry & sea power behind her.
Lady Liberty holds a liberty cap on a pole & an American shield in front of bustling American industry behind her.

Lady Liberty holds the American flag & points toward the future.

Here is Lady Liberty pointing to the future, while holding an American flag & standing on a pedestal engraved with the year 1776, which also supports an American eagle.
Lady Liberty Civil War
Statue of Liberty 1886
After the Statue of Liberty of 1886
1892 Lady Liberty
Lady Liberty with an eagle holding a liberty cap and resting on a shield.
>
Lady Liberty holds a liberty cap on a pole & an American shield in front of bustling American industry behind her.
Statue of Liberty 1886
After the Statue of Liberty of 1886
1892 Lady Liberty
Sunday, February 24, 2019
Women traveling in Winter on the Canadian Frontier - by Cornelius Krieghoff 1815-1872
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) Winter Landscape 1849
Cornelius Krieghoff 1815-1872 was born in Amsterdam, spent his formative years in Bavaria, & studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec & moved to the Montreal area, where he painted genre paintings of the people & countryside of Canada. According to Charles C. Hill, Curator of Canadian Art at the National Gallery, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, & the hardships & daily life of people living on the edge of new frontiers" Krieghoff moved to Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Labels:
Months/Seasons/Weather/Time,
Native Americans/Indigenous Peoples/Westward Expansion,
US History
Wednesday, February 20, 2019
Women pictured on the North American Canadian Frontier in 19C by Dutch-born Cornelius Krieghoff 1815-1872
Cornelius Krieghoff 1815-1872 was born in Amsterdam, spent his formative years in Bavaria, & studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec & moved to the Montreal area, where he painted genre paintings of the people & countryside of Canada. According to Charles C. Hill, Curator of Canadian Art at the National Gallery, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, & the hardships & daily life of people living on the edge of new frontiers" Krieghoff moved to Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Labels:
Months/Seasons/Weather/Time,
Native Americans/Indigenous Peoples/Westward Expansion,
US History
Saturday, February 16, 2019
Women on the North American Canadian Frontier in 19C - by Dutch-born Cornelius Krieghoff 1815-1872
Cornelius Krieghoff (Dutch-born Canadian painter, 1815-1872) Bringing in the Deer
Cornelius Krieghoff 1815-1872 was born in Amsterdam, spent his formative years in Bavaria, & studied in Rotterdam & Dusseldorf. He traveled to the United States in the 1830s, where he served in the Army for a few years. He married a young woman from Quebec & moved to the Montreal area, where he painted genre paintings of the people & countryside of Canada. According to Charles C. Hill, Curator of Canadian Art at the National Gallery, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, & the hardships & daily life of people living on the edge of new frontiers." Krieghoff moved to Quebec from 1854-1863, before he came to Chicago to live with his daughter.
Labels:
Months/Seasons/Weather/Time,
Native Americans/Indigenous Peoples/Westward Expansion,
US Art,
US History
Saturday, December 1, 2018
The Slave Narratives: Process & Problems
Twenty-Eight Fugitives Escaping from the Eastern Shore of Maryland. From Still, William, The Underground Rail Road... (Philadelphia, 1883).
Photos and quotes of former slaves used in these blog posts come from the Slave Narratives. This collection contains over 20,000 pages of typewritten interviews with more than 3,500 former slaves, collected over a ten-year period. In 1929, both Fisk University in Tennessee and Southern University in Louisiana began to document the life stories of former American slaves. Kentucky State College continued the work in 1934. In the midst of the Depression between 1936 and 1939, these narratives continued to be collected as part of the Federal Writers' Project of the WPA, the Works Progress Administration. They were assembled and microfilmed in 1941, as the 17-volume Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves. The collection includes photos of the interviewees taken in the 1930s as well as their full interviews. Those whose voices are included in the collection ranged in age from one to fifty at the time of emancipation in 1865; more than two-thirds were over eighty when they were interviewed.
The problem that I have with these interviews is the language as reported by the interviewers, but I do not retranscribe it into "correct" English, no matter how much it tempts me. The Library of Congress explains on their website, "The narratives usually involve some attempt by the interviewers to reproduce in writing the spoken language of those interviewed...The interviewers were writers, not professionals trained in the phonetic transcription of speech...by the 1930s, when the interviews took place, white representations of black speech already had an ugly history of entrenched stereotype dating back at least to the early nineteenth century." What most white interviewers assumed to be "the usual" patterns of their informants' speech was unavoidably influenced by the 1930s preconceptions and stereotypes of the interviewers themselves. The result, as the historian Lawrence W. Levine has written, "is a mélange of accuracy and fantasy, of sensitivity and stereotype, of empathy and racism" that may sometimes be offensive to today's readers. Yet whatever else they may be, the representations of speech in the narratives are a pervasive and forceful reminder that these documents are not only a record of a time that was already history when they were created: they are themselves irreducibly historical, the products of a particular time and particular places..."
Photos and quotes of former slaves used in these blog posts come from the Slave Narratives. This collection contains over 20,000 pages of typewritten interviews with more than 3,500 former slaves, collected over a ten-year period. In 1929, both Fisk University in Tennessee and Southern University in Louisiana began to document the life stories of former American slaves. Kentucky State College continued the work in 1934. In the midst of the Depression between 1936 and 1939, these narratives continued to be collected as part of the Federal Writers' Project of the WPA, the Works Progress Administration. They were assembled and microfilmed in 1941, as the 17-volume Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves. The collection includes photos of the interviewees taken in the 1930s as well as their full interviews. Those whose voices are included in the collection ranged in age from one to fifty at the time of emancipation in 1865; more than two-thirds were over eighty when they were interviewed.
The problem that I have with these interviews is the language as reported by the interviewers, but I do not retranscribe it into "correct" English, no matter how much it tempts me. The Library of Congress explains on their website, "The narratives usually involve some attempt by the interviewers to reproduce in writing the spoken language of those interviewed...The interviewers were writers, not professionals trained in the phonetic transcription of speech...by the 1930s, when the interviews took place, white representations of black speech already had an ugly history of entrenched stereotype dating back at least to the early nineteenth century." What most white interviewers assumed to be "the usual" patterns of their informants' speech was unavoidably influenced by the 1930s preconceptions and stereotypes of the interviewers themselves. The result, as the historian Lawrence W. Levine has written, "is a mélange of accuracy and fantasy, of sensitivity and stereotype, of empathy and racism" that may sometimes be offensive to today's readers. Yet whatever else they may be, the representations of speech in the narratives are a pervasive and forceful reminder that these documents are not only a record of a time that was already history when they were created: they are themselves irreducibly historical, the products of a particular time and particular places..."
Sunday, July 1, 2018
Entrepreneurial Slaves at Thomas Jefferson's Monticello 1805-1808
Anne Cary Randolph’s Household Accounts of Monticello, 1805-1808
Thomas Jefferson's granddaughter, Anne Cary Randolph (1791-1826)
The Library of Congress tells us, that the household and kitchen accounts maintained by Thomas Jefferson's granddaughter, Anne Cary Randolph (1791-1826), at Monticello from August 1805 to October 1808 illustrate the vitality of the undirected activities and the entrepreneurial spirit of the slaves on Jefferson's plantations in Albemarle County, Virginia. These accounts of provisions purchased from Jefferson's slaves, other slaves in the neighborhood, and local free whites also offer a rare view of the interaction of plantation mistresses, slaves, and free white women.
Between 1805 and 1808 Thomas and Martha Jefferson’s teenaged granddaughter kept her household accounts in the blank pages of a notebook previously used by her grandparents. This essay reveals and contextualizes Randolph’s practice of trading with Monticello’s slaves.
Students of slavery in the United States have begun to explore the significance of slaves' personal land plots and crops in the Southern plantation system. Plantation owners and managers were sharply divided on the subject. Should slaves be allowed to raise their own crops? What animals and crops should they be allowed to raise? Should they be allowed to sell or trade these crops? And to whom? Four years of accounts from Thomas Jefferson's Monticello suggest how these questions were answered in one of America's most notable plantation communities.
Scattered evidence exists to suggest that plantation owners purchased food and even money crops, such as tobacco, from their slaves. For example, James Barbour, a neighbor of James Madison, routinely purchased chickens, eggs, and brooms from his slaves in the 1820s and 1830s, according to information in the Barbour Papers at the University of Virginia. Household accounts were normally kept by the plantation mistress or her daughter, and unfortunately women's records of this kind were seldom saved for posterity. However, Anne Cary Randolph's accounts are an exceptionally coherent, detailed, and lengthy record for a plantation as large and important as Monticello. Their survival is undoubtedly due to their location in the same memorandum book in which Jefferson had maintained a record of legal cases tried in Virginia.
Anne Cary Randolph, the child of Martha Jefferson Randolph, Jefferson's oldest daughter, and her husband, Thomas Mann Randolph, repurposed the blank pages of a volume previously used by both her grandparents. She turned the volume over and entered the accounts so that would be read in the opposite direction (and would appear upside down) from the text in the rest of the volume. This practice was not uncommon in the eighteenth and early nineteenth centuries, when paper was scarce or expensive. When this volume was microfilmed, Anne Cary Randolph's accounts were filmed first, and the remaining pages were rotated and filmed in reverse order. This online presentation restores the pages to a sequence that more closely matches the original volume.
The accounts begin in 1805, when Anne Cary Randolph was fourteen years old, and cover a four-year period. They reflect what was in essence an apprenticeship preparing Anne Cary Randolph for marriage and the occupation of plantation mistress. The accounts end in October 1808, following Anne's September 19 wedding to Charles Lewis Bankhead and shortly before the couple's departure for the Bankhead family homestead in Port Royal, Virginia. The Bankheads soon settled at Carlton, a plantation on the west side of Monticello mountain, where Anne Cary Randolph Bankhead was able to use the training she had received as a teenager at Monticello.
Anne Cary Randolph carefully recorded the transactions of purchases from Jefferson's slaves, other slaves in the neighborhood, and local free whites for the use of the kitchen at Monticello. It is not clear from the records whether all of the items purchased were used solely for the white residents and visitors at Monticello or whether some of the goods were shared with the slave and free white staff. Anne Cary Randolph noted the date of purchase, the name of the seller, the name and number of items purchased, and the amount of money in pounds, shillings, and pence paid or credited to each person.
These records contain material important to the study of slave communities and the plantation economy, such as the occupations of slaves and free whites, products sold and not sold by slaves, the amount of money and credit given for various items, and information about the rhythm of plantation life. They also contain information vital to genealogists and descendants of those people mentioned in the accounts, locating slaves at Monticello and neighboring plantations by name in time and space.
These records suggest answers to many, though not all, of the basic questions about the importance of slave land plots and crops. Did a few slaves dominate the trade with the plantation mistress? In fact, the accounts do reveal that only five of the seventy-one active traders had ten or more transactions. Wormley (1781-aft.1851), a gardener at Monticello, sold food items to Miss Randolph on forty-three occasions over four years to become the leading slave purveyor of foodstuffs to the Monticello kitchen. The accounts reveal that slaves never sold products of cattle, sheep, or hogs to the Monticello kitchen. Were slaves not allowed to own these animals? Apparently not. The accounts show that the overseers' wives and slaves competed in sales of some provisions, such as chickens, eggs, and honey, but not in the sale of butter or tallow. They show that some individuals, such as Ursula (1787-aft.1824) and John Hemings (1775-aft.1830), routinely collected the money due to other slaves. Chickens, eggs, and vegetables were the items most often sold by slaves to the Monticello kitchen, according to these accounts, and the slaves received money and credit for their goods.
Unfortunately there are no corresponding accounts to show what the slaves did with their money. No records exist to reveal what they purchased or whether they purchased items from each other, from stores in nearby Charlottesville or Milton, from itinerant peddlers, or from neighboring free whites. No records show whether Jefferson or his overseers maintained a store for "sundries" or simply sold the slaves additional pork or corn. Indeed, no records reveal whether the slaves saved their money to purchase their own or a relative's freedom.
The accounts also raise questions vital to interpreting the interrelationships of slaves and white women in the plantation setting. For example, what were the economic relationships of white women and slaves, women and children, slaves and overseers' wives, and among enslaved men and women? They raise equally important questions about the spirit and ethos of the slave community in a large plantation setting. One thing is clear. The pattern of human interaction on the plantation was exceedingly complex and blacks and whites were joined by more than simply a master-slave relationship.
When Anne Cary Randolph was keeping these records, Thomas Jefferson, author of the Declaration of Independence, was the third president of the United States, a position he held from 1801 to 1809. He was also the owner of a large plantation complex including holdings in the Virginia counties of Albemarle, Goochland, James City, Cumberland, Amherst, Rockbridge, and Bedford. Altogether Jefferson's properties comprised more than ten thousand acres manned by nearly two hundred slaves and free whites. The overseers and most of the artisans and foremen were white, while the laborers, apprentices, and artisan's assistants were generally slaves either owned or rented by Jefferson and his wife Martha, his daughters Martha and Mary and their husbands Thomas Mann Randolph and John Wayles Eppes, or his grandchildren and their spouses.
While he was president, Jefferson failed to maintain detailed rolls of his slaves in his "farm book," or plantation record. The only existing roll for this period is that for his Bedford properties in 1805, which lists seventy-one slaves of all ages. Consequently, the household accounts kept by Anne Cary Randolph are additionally valuable as a contemporary record of Jefferson's Albemarle County slaves. They list seventy-nine residents of Albemarle, including seventy-one slaves. In 1810 Jefferson's rolls listed 126 slaves of all ages at the Albemarle plantations and eighty-six on his Bedford properties.
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