After weeks of very hot weather, a cooling rain is falling here this morning. The grandchildren are gathering school supplies & getting ready to return to the classroom. I can feel a hint of fall in the air; so perhaps I should post these gardens for you, before autumn sets in.
I promise this is the last posting of romantic, decorative American Impressionists who focused on painting women in gardens. Robert Lewis Reid (1862-1939), was born in Massachusetts. He attended the School of the Museum of Fine Arts in Boston; in 1884 he moved to New York to study at the Art Students League, and a year later he went to Paris to study at the Julian Academy, returning to New York in 1889.
Robert Lewis Reid (1862-1939), Woman on a Porch with Flowers
Robert Lewis Reid (1862-1939), The Yellow Flower, The Artist's Wife in the Garden
Robert Lewis Reid (1862-1939), The White Parasol
Robert Lewis Reid (1862-1939), Tending the Garden
Robert Lewis Reid (1862-1939), Pond Lilies
Robert Lewis Reid (1862-1939), Fleur de Lis, 1895–1900
Before we leave Robert Lewis Reid, I should mention, that he alternated between the easel & painting murals in public buildings. These at the Thomas Jefferson Building of the Library of Congress are worth note.
Robert Lewis Reid (1862-1939), Library of Congress 1896 Wisdom Robert Lewis Reid (1862-1939), Library of Congress 1896 Understanding
Robert Lewis Reid (1862-1939), Library of Congress 1896 Knowledge
Robert Lewis Reid (1862-1939), Library of Congress 1896 Philosophy .
Richard Emil Miller (1875-1943), American Impressionist painter, studied at the St. Louis School of Fine Arts, & then sailed for Paris to study at Academie Julian (1898–1901). Paris was the art capital of the 19th-century. Its museums, exhibition spaces, art academies, & the manner in which the arts were perceived as an integral part of everyday life drew painters, sculptors, & architects from around the world to the French capital. As the painter Cecilia Beaux expressed it, "Everything is there." Miller became part of the “Giverny Group,” the 2nd generation of mostly American artists to study & paint near the gardens created at his home by Claude Monet. Here are a few of Miller's women in gardens. Richard Emil Miller (1875-1943) In the Garden Richard Emil Miller (1875-1943) Reading in the Garden Richard Emil Miller (1875-1943) Summer Reverie Richard Emil Miller (1875-1943) Sylvan Dell or Reverie Richard Emil Miller (1875-1943) The Garden Seat Richard Emil Miller (1875-1943) Woman Reading in the Garden Richard Emil Miller (1875-1943) Young Woman Sewing(in the Garden) Richard Emil Miller (1875-1943) Woman with Parasol Richard Edward or Emil Miller (1875-1943) .
The origin of hand fans can be traced at least back to ancient Egypt, where the fan was seen as a sacred instrument used in religious ceremonies, & as a symbol of royalty power. Two elaborate fans were found in King Tutankhaumuns's tomb, one with a golden handle covered in ostrich feathers & the other was ebony, covered with gold & precious stones. Drawings from 3000 years ago show elegant Chinese ladies using fans. The ancient Greeks wrote poems of fans being the "scepters of feminine beauty" & Romans brought Greek fans back to Rome as objects of great value.
In the 1600s, China was importing huge quantities of exotic fans into Europe, which could provide self-cooling; prevent an unwanted tan; & shield eyes from the sun. By the 18th century, fans had become more than utilitarian, they were objects d'art for the fashionable lady. Fans became even more popular, as the fad of masquerade balls spread across Europe in that century, hiding the faces of their owners. They came to be part of an elaborate ritual of flirtation that carried on into the 19th-century.
Alfred Stevens (1828-1906) The Lady with the Fan
Jacques-Joseph Tissot (1836-1902) Young Lady with a Fan
Edgar Degas (1834-1917). Woman Seated on a Balcony
Winslow Homer (1836-1910) Detail Spanish Girl with Fan