Wednesday, October 13, 2021

A Few Portraits of Women by Sarah Miriam Peale (American painter, 1800-1885)

Sarah Miriam Peale was a daughter of artist James Peale, brother of artist Charles Willson Peale, who both taught her to paint. As a young girl, she assisted her father & her sister, Anna Claypoole Peale, with fabric painting of shawls.
Sarah Miriam Peale (American painter, 1800-1885) Artist's Self-Portrait 1818 Detail

Sarah Miriam Peale started her solo art career in 1816, with still life subjects but soon turned to portraiture, which brought her lifelong acclaim. Lafayette sat for her 4 times.
Sarah Miriam Peale (American painter, 1800-1885) Anna Maria Smyth 1821

In 1818 & 1820, she spent time in Baltimore with Rembrandt Peale, her cousin, who influenced both her painting style & choice of subject matter. For 25 years, she painted in Baltimore (1822-47) & intermittently, in Washington, D.C.
Sarah Miriam Peale (American painter, 1800-1885) Cornelia Mandeville 1830

She lived & painted in St. Louis, Missouri, for about 30 years (1847-77); but returned to Philadelphia, where she died in 1885. Sarah Miriam Peale never married & supported herself with sale of her paintings.
Sarah Miriam Peale (American painter, 1800-1885) Eleanor Smith Gittings, c. 1830
Sarah Miriam Peale (American painter, 1800-1885) Mrs William Crane 1840
Sarah Miriam Peale (American painter, 1800-1885) Mrs. Charles Ridgely Carroll 
(Rebecca Ann Pue) 1822
Sarah Miriam Peale (American painter, 1800-1885) Mrs. Rubens Peale and Son, 1823
Sarah Miriam Peale (American painter, 1800-1885) Patience Cole Cortland c 1840
Sarah Miriam Peale (American painter, 1800-1885) Self-Portrait 1830
Sarah Miriam Peale (American painter, 1800-1885) Veiled Woman 1830

Saturday, October 9, 2021

American Folk Art - Quirky Portraits of Early 19C American Women

Almira Wheaton (American, 1804-1881)  Lady in a Straw Hat 1824-1825

Several New England artists shared a unique painting style during the 1820s-30s. Women depicted by these artists exhibit several similar characteristics - pale, sculptural faces; prominent thin, delicately arched eyebrows; small bowed mouths; & elaborate classical Greek hairstyles of tight curls intertwined with jewelry, flowers, & other adornments.  The paintings are usually watercolors.  The artists paint strong features, sharply defined, with arched, curved eyebrows.  The watercolors are similar to fashion plates appearing in magazines such as Ackerman’s Repository of Arts, Literature, Commerce, Manufactures, Fashions & Politics, published in London in 1809 through 1829.
Almira Wheaton (American artist, 1804-1881)  The first with label on reverse inscribed "Painted or drawn/ by Almira Wheaton Saben/ my great grandmother."

I can only find 2 paintings by Almira Wheaton Saben, who appears in the 1860 US census, she was then living in Winchester, Cheshire County, New Hampshire. She was born September 9, 1804 in Vermont. Her father was Reuben Wheaton. She married Mowry Saben (1801-1880) on February 5, 1835, in Winchester, Cheshire County, New Hampshire. She died there on May 11, 1881. She had 6 children between 1835 and 1844. All of them died by 1845. After that she had 2 children, Levi born in 1844-1912, and Mary born in 1847-1926. Son Levi married Mary A Tolman on January 1, 1869. They had a son Alfred Levi Saben in December of 1869-1930, a son Delano Mowry Saben in 1879-1947, & a daughter Laura Emma in 1882-1964.

Thursday, October 7, 2021

A Fashionable, but Unidentified 1830s Woman from Jonas W. Holman 1805-1873


Jonas W. Holman (1805-1873) grew up in Maine. In 1824, he studied theology at Waterville (Colby) College in Maine. He moved to the Boston area by the 1830s, where he was a minister and portrait painter. He continued his education at Harvard Medical College graduating in 1843, adding physician to his list of occupations. Between 1857 & 1860, Holman lived in New York City, where he was listed as a clergyman. He also traveled to Philadelphia and Connecticut.

Sunday, October 3, 2021

Women Reading by Seymour Joseph Guy (1824-1910)

Seymour Joseph Guy (1824-1910) Summer Issue

Although born in England, Seymour Joseph Guy became one of America’s most famous genre painters, celebrated for his delicate genre paintings of women & children in domestic environments. Several of his paintings revolved around reading.
Seymour Joseph Guy (1824-1910) An Interesting Book

In 1852 he married Anna Maria Barber (c. 1832–1907), daughter of William Barber, an engraver. The couple had 9 children who could serve as models for their father.
Seymour Joseph Guy (1824-1910) Preparing for the next day, Seymour 1895

Guy immigrated to America in 1854, and immediately entered the artists’ circles present in New York, mainly forging his path as a portraitist and later, a genre painter.
Seymour Joseph Guy (1824-1910) Dear Polly

In 1861, he was listed as a founding member of the Brooklyn Art Association and named an associate of the National Academy the next year.
Seymour Joseph Guy (1824-1910) Young Girl Reading 1877


Seymour Joseph Guy (1824-1910) The Reading Lesson.

Friday, October 1, 2021

Genre Paintings of Everyday Life in 19C America

William Smith Jewett (American artist, 1812–1873) The Promised Land The Grayson Family.

George Caleb Bingham (American artist, 1811-1879) Raftsmen playing cards

George Caleb Bingham (American artist, 1811-1879) The Jolly Floatmen

George Caleb Bingham (American artist, 1811-1879)Fur Traders Going down the Missouri

Henry Mosler (American artist, 1841 – 1920) Just Moved

Henry Ossawa Tanner (American artist, 1859–1937) Spinning by Firelight

James Wells Champney (American artist, 1843–1903) Wedding Presents

Jerome B. Thompson (1814–1886) Apple Gathering

Jervis McEntee (American painter, 1828-1891)  Little Fisher Girl 1875

Otto Henry Bacher (American painter, 1856-1909) Richfield Center, Ohio, 1885

Theodor Kaufmann (American painter, 1814–1896) On To Liberty

Thomas Le Clear (American artist, 1818–1862) Young America

Thomas Prichard Rossiter (American artist, 1818–1871) Spilt Milk

Thomas Waterman Wood (American artist, 1823–1903) Election Returns

Thomas Waterman Wood (American artist, 1823–1903) His First Vote

Thomas Waterman Wood (American artist, 1823–1903) Politics in the Workshop

Thomas Waterman Wood (American artist, 1823–1903) The Toothache - His Own Doctor

Thomas Waterman Wood (American artist, 1823–1903) The Yankee Peddler

William Lippincott (American artist, 1849–1920) Love Finds the Way

William Lippincott (American artist, 1849–1920) Love's Ambush

Thursday, September 30, 2021

Soda Fountains, Phosphates, & Ice Cream in 19C America

What were soda fountains? The simplest answer is that a soda fountain was an apparatus that dispensed carbonated water (known as “soda water” in the United States). But the term eventually expanded to also mean the area inside a business (often a counter) where a person could order a fountain drink.

The soda fountain machine was invented in Europe in the late 1700s, & by the early 1800s soda water had become a trend in the United States, with sellers adding fruits & syrups for flavor. But the late 19C saw increased customer demand for fancier drinks beyond flavored soda water.

Soda fountains were frequently found at pharmacies but were also located inside department stores, bakeries, ice cream parlors, restaurants, & more. The employees who worked behind the counters were known as “soda fountain clerks” or “soda water jerkers” (and later “soda jerks”).

From their 18C origins, soda fountains remained popular in the United States through the 1950s, when drive-ins & car culture led to their decline.

“Phosphates,” also known as “phosphate sodas,” were made by mixing acid phosphate (phosphoric acid & mineral salts) with soda water & flavoring. The acid phosphate gave the drink a tart or sour taste.  

Phosphate sodas came in a wide variety of flavors, but lemon phosphates, cherry phosphates, & egg phosphates were a few of the most common. Fruit flavors make sense given the tartness of phosphates, but egg?

Egg phosphates & other egg-based drinks were actually quite popular at 19C soda fountains. Egg phosphates were made of raw egg, soda water, phosphate, & orange, lemon, or chocolate syrup. Other common egg drinks a person could order included eggnog, egg flip, egg lemonade, & more.

A milkshake’s name was originally much more literal—a beverage made of milk shaken together with crushed or shaved ice, flavoring, & sometimes raw egg. Eventually, ice cream began making its way into the milkshake, creating the dessert we’re familiar with today. But as this ad from 1930 shows, some businesses still saw the need to specify that their milkshakes included ice cream well into the 20th century.

While milkshakes had their moment of popularity, they were overshadowed by what was arguably the most popular offering at a 19C soda fountain: ice cream soda (now often called an ice cream float).

While a version of ice cream soda existed before the Civil War, that older version was made of flavored soda water mixed with cream & ice. The new ice cream soda—likely created in the 1870s—replaced the cream & ice with ice cream. The drink quickly gained popularity & spread around the country, & by the 1890s no soda fountain’s menu was complete without it.

The soda fountain’s beverage options didn’t stop with phosphates, milkshakes, & ice cream sodas.

The plethora of soda fountains in any given city meant businesses competed for customers by offering an ever-growing menu of drinks—with upward of 50 (sometimes 100) options at the larger fountains. Some of the beverages (like the Moxie & Coca-Cola mentioned in a 1896 Nebraska ad) were commercially manufactured name-brand drinks. But many soda fountain offerings were invented & made in-house.

Since many beverages offered at soda fountains were served cold, it’s no surprise that soda fountains typically did their best business in the summer. But they attracted customers in colder months too with offerings like “hot soda water,” & beef tea, plus coffee, & hot chocolate, which were popular drinks in 18C America.

For more information, see Newspapers.com blog.

Wednesday, September 29, 2021

Courting While Doing Chores in 1835-36 America

William Sidney Mount (American painter, 1807-1868) Courtship while Winding Up 1836

William Sidney Mount (American painter, 1807-1868) The Sportsman's Last Visit 1835

Monday, September 27, 2021

1892 A Change in Women's Dress & Freedoms - Contemporaries both Hostile & Confused

Edward Lamson Henry (American Painter, 1841-1919) The New Woman 1892. Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age.


In 1881, a group of high society women gathered in London to form a new organization. They named their group the Rational Dress Society, intending to reform Victorian women’s dress. The group came up with criteria for the perfect dress. It included:  
Freedom of Movement
Absence of pressure over any part of the body
No more weight than is necessary for warmth, & both weight & warmth evenly distributed.
Grace & beauty combined with comfort & convenience
Not departing too conspicuously from the ordinary dress of the time

Their ideas were revolutionary & controversial. Typical Victorian dress styles incorporated heavy fabrics, tight corsets, bustles, hoop skirts, & extravagant ornamentation. The women argued that dress reform would allow them to participate in activities like cycling. Bicycles had become a symbol of freedom for many women who found the sport liberating & emancipating.  

A founding member of the society was Viscountess Florence Wallace Pomeroy, also known as Lady Harberton. Lady Harberton, the daughter of wealthy landowners, married James S. Pomeroy. He later became the 6th Viscount Harberton. In 1880, Lady Harberton took up the cause of dress reform. She loved to cycle, but heavy, long skirts prevented her from enjoying the activity. She championed the reformed dress, which consisted of baggy pantaloons worn underneath a knee-length skirt. She also invented the divided skirt, which initially evoked jeers on both sides of the pond. Some feared that trifling with a traditional women’s dress was a step down a path to loosening moral values.

In 1883, the Rational Dress Society sponsored an exhibition held in London. The exhibit included shorter dresses, divided skirts, “costumes for climbing for lady mountaineers, & a costume for walking.” One man reported to The Times that the women in his family discarded their corsets & found new freedom in dancing, walking, tricycling, lawn tennis, & other open-air exercises. They vowed never to return to corsets & heavy skirts. Attitudes for many women (and men) were undergoing a seismic shift. The “woman of the future” wanted freedom in her clothing – & freedom within other aspects of her life.  

The struggle for rational dress came to a head after an incident in 1898. Lady Harberton went cycling in Surrey. She stopped for lunch at the Hautboy Hotel but was turned away for improper dress. Lady Harberton sued the hotel but lost the case because the hotel had offered alternative seating in the bar. Nevertheless, the case brought attention to rational dress & a victory for women who advocated for it. Lady Harberton spent decades promoting clothing that would make life easier for women. Later in her life, she also became an advocate for the women’s suffrage movement. Lady Harberton died in 1911. The Guardian eulogized her as an “enthusiastic & undaunted advocate” for dress reform.

Saturday, September 25, 2021

19C Traditional "Woman's Work" - Sewing & Bearing Children (Plus Cleaning & Cooking)

Edward Lamson Henry (American Painter, 1841-1919) Woman with a Baby

Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age.

Thursday, September 23, 2021

Alone - The Widower

Edward Lamson Henry (American Painter, 1841-1919) The Widower 1873

Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age.

Tuesday, September 21, 2021

The Inevitable - An Accident

Edward Lamson Henry (American Painter, 1841-1919) The Latest Village Scandal 1885

Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age.

Sunday, September 19, 2021

Chatting on Sunday while a very Patient Horse Waits

Edward Lamson Henry (American Painter, 1841-1919) Stopping for a Chat

Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age.

Friday, September 17, 2021

New Mechanical Contraptions - The Spinning Jenny

Edward Lamson Henry (American Painter, 1841-1919) Spinning Jenny 1874

Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age.

Wednesday, September 15, 2021

Sunday wasn't for Shopping, it was for Visiting

Edward Lamson Henry (American Painter, 1841-1919) Sunday Afternoon 1900

Edward Lamson Henry (1841–1919) was an American genre painter born in Charleston, South Carolina who came to live in New York at an early age. .

Monday, September 13, 2021

19C Climate Change - 1868 Earthquakes and Tidal Waves Affect California


1865 woodcut. NOAA Central Library Historical Collections

Later and fuller details are every day increasing the interest with which scientific observers regard the recent earthquakes and tidal disturbances, and confirming our first impression that these convulsions of nature would prove to be among the most remarkable and extensive of which there is any written record. They have been experienced at short intervals during the last three months, and there is no reason to suppose that we have yet felt the last of them, the latest having been reported only a week ago.

The shocks have followed no particular direction, and been confined to no particular quarter of the earth. Beginning in the middle of the Pacific Ocean, they seem to have affected all its eastern shores and its southern and western islands, and, skipping the whole breadth of the North American Continent and the Atlantic Ocean, to have broken out in Ireland.

We may yet learn that the remoter countries of Asia have likewise been shaken. The first of this great series of convulsions, so far as our intelligence now extends, occurred, in the Sandwich Islands, eleven days before the terrible disaster in Peru. Violent shocks were felt in different parts of the groups from the 2d to the 9th of August, accompanied with heavy storms of thunder and lightning. The western coast of South America was devastated by awful earthquakes from the 13th to the 15th of August, and at the same time the shocks were felt again in the Sandwich Islands, though less severely than before.

On the 17th there were shocks in New Zealand. About the middle of September shocks were felt by vessels in the Eastern Pacific. On or about the 1st of October, they were experienced again in the Sandwich Islands. In California they wee felt from the 21st to the 25th, with considerable severity, and were repeated slightly up to the 6th of November. On the 23d of October we hear of earthquakes in Ireland. On the 4th of November there was one at Vancouver Island.

The tidal waves which have accompanied all the most serious of these convulsions are peculiarly interesting subjects of study. It has been remarked, as an evidence of the rapidity with which they travel, that they reached the California coast as early as the morning of the 14th of August, having moved over a distance of 4,000 miles in a little more than 14 hours; but it now appears that their speed is even greater than this, for they were felt in the Sandwich Islands, nearly an equal distance, on the evening of the 13th, only four hours after the earthquake in Peru, lasting through the night, and obtaining their greatest force the nest morning, almost simultaneously with their appearance on the opposite California coast. This would give them a velocity of about a thousand miles an hour. They seem, however, not to have been driven in more than one direction at a time. The Sandwich Islands lie north west of the place of disturbance in Peru. Toward the west and southwest, we have no record of tidal phenomena earlier than the 15th of August, when the waters of Japan and Australia were simultaneously agitated in the same manner.

These waves may have been either propagated by fresh convulsions on the South American coast, or revulsions from the disturbances at the Sandwich Islands. We have no sufficient data as yet determining in what direction the waves traveled, or what was their size or their velocity. We trust that the attention of competent observers may have been drawn to these points; for by means of them it would be possible to determine the depth of the Pacific Ocean, the size and velocity of waves bearing, as is well known, a fixed ratio to the depth of the water.

A great tidal wave fell upon Hawaii, one of the Sandwich Islands, on the 15th of October, destroying a great many houses and other property. Accepting the generally received theory that these phenomena are caused by earthquakes , we may expect intelligence of another great calamity about that date in some country bordering on the Pacific from which we have yet received no advices. But the disturbance may have arisen in the bed of the ocean, in which case, unless a stray sailing vessel chanced to be within reach of it, no account of the phenomenon may ever come to us.


New York Tribune, November 17, 1868.