The term parasol usually refers to an item intended to protect people from the sun. Umbrella refers to a device more suited to protect them from rain.
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Usually the difference is the material; some parasols are not waterproof.
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Some parasols & umbrellas are meant to be fixed to one point, often used with garden furniture or at the beach.
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Both umbrellas & parasols can be exclusively hand-held, portable devices.
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Both umbrellas & parasols simply can be held as fashion accessories & not used for protection from sun or rain at all.
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"Para" means stop or shield and "sol" means sun.
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The word "umbrella" evolved from the Latin "umbella" (an "umbel" is a flat-topped rounded flower) or "umbra" meaning "shaded."
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In the sculptures at early Nineveh, an ancient city on the eastern bank of the Tigris in ancient Assyria, the parasol appears frequently.
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In Persia, the parasol is repeatedly found in the carved work of Persepolis, the ceremonial capital of the Achaemenid Empire (ca. 550-330 BCE).
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In some sculptures in Persia, the figure of a king appears attended by a servant, who carries over his head an umbrella.
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In other Persian sculptures on the rock at Takht-i-Bostan, supposed to be not less than 12 centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse with an umbrella held over his head by an attendant.
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In ancient Egypt, the parasol is sometimes depicted as a flagellum, a fan of palm-leaves or colored feathers fixed on a long handle, resembling those depicted in several Victorian paintings.
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Another Egyptian engraving depicts an Ethiopian princess traveling through Upper Egypt in a chariot with a sort of umbrella fastened to a stout pole rising in the center.
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The umbrella was generally used throughout Egypt, partly as a mark of distinction, but more for its useful rather than its ornamental qualities.
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In some paintings on an Egyptian temple wall, a parasol is held over the figure of a god carried in procession.
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In Greece, the parasol (skiadeion), was an indispensable adjunct to a lady of fashion in the late 5th century BC.
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Aristophanes (446-386BC), a much acclaimed comic playwright of ancient Athens, mentions it among the common articles of female use which could apparently open and close.
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Geographer Pausanias (d. 470BC) describes a tomb near Triteia in Achaia decorated with a 4th-century BC painting ascribed to Nikias, Plutarch's Slave of Fear d 413BC, depicting a woman, "and by her stood a female slave, bearing a parasol."
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Its use seems to have been confined to women. For a man to carry one was considered a mark of effeminacy. In Aristophanes' Birds, a 415BC Greek comedy, Prometheus uses one as a comical disguise.
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It had also its religious signification. In the Scirophoria, the feast of Athene Sciras, a white parasol was borne by the priestesses of the goddess from the Acropolis to the Phalerus.
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In the feasts of Dionysos, the god of wine, the umbrella was used, and in an old bas-relief the same god is represented as descending ad inferos with a small umbrella in his hand. Dionysos inspired ritual madness, joyful worship, ecstasy, carnivals, celebration and was a major figure of Greek mythology.
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In the Panathenæa, the daughters of the Metics, or foreign residents, carried parasols over the heads of Athenian women as a mark of inferiority. In Rome, the umbrella seems to have been commonly used by women to shade themselves from the heat by means of the Umbraculum, formed of skin or leather, and capable of being lowered at will. There are frequent references to the umbrella in the Roman classics, and it appears that it was a post of honor among maid-servants to bear it over the heads of their mistresses.
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Allusions to the parasol are reasonably frequent in the poets Ovid, Martial, & Juvenal.
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The Roman umbrella does not appear to have been used as protection from rain.
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The umbrella appears frequently on Etruscan pottery, as also on later gems and rubies.
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One gem, figured by Pacudius, shows an umbrella with a bent handle, sloping backwards.
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From China's Terracotta Army, a carriage with an umbrella securely fixed to the side appears from Qin Shihuang's tomb, c. 210 BCE.
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In written records, the oldest Chinese reference to a collapsible umbrella dates to the year 21 A.D., when Wang Mang (r. 9–23) had one designed for a ceremonial four-wheeled carriage. The Chinese character for umbrella is 傘 (sǎn) and is a pictograph resembling the modern umbrella in design.
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The Chinese & Japanese traditional parasol, often used today near temples, remains similar to the original ancient Chinese design.
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A late Song Dynasty Chinese divination book that was printed in about 1270 CE features a picture of a collapsible umbrella that is exactly like the modern umbrella of today's China.
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In India, the Sanskrit epic Mahabharata (about 4th century) relates the following legend: Jamadagni was a skilled bow shooter, and his devoted wife Renuka would always recover each of his arrows immediately. One time however, it took her a whole day to fetch the arrow, and she later blamed the heat of the sun for the delay. The angry Jamadagni shot an arrow at the sun. The sun begged for mercy and offered Renuka an umbrella.
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In 17th-century Ava in India, it seems to have been part of the king's title, that he was "King of the white elephant, and Lord of the twenty-four umbrellas."
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In 1855, the King of Burma was called "His great, glorious, and most excellent Majesty, who reigns over the kingdoms of Thunaparanta, Tampadipa, and all the great umbrella-wearing chiefs of the Eastern countries."
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According to a 1687 account of Siam, the use of the umbrella was granted to only some of the subjects by the king. An umbrella with several circles, as if two or three umbrellas were fastened on the same stick, was for the king alone. The nobles carried a single umbrella with painted cloths hanging from it.
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The district of Tenochtitlan called Atzacoalco of the Aztec Empire was reported to have used an umbrella made from feathers & gold as its pantli or flag. It was carried by the army general.
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Scarce allusions to European umbrellas throughout the Middle Ages probably indicates that they were not in common use. Apparently Europeans depended on cloaks, not umbrellas, for protection against storms.
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The general use of the parasol in France & England was adopted, probably from China about the middle of the 17th-century, when depictions of umbrellas are frequently seen.
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John Evelyn, in his Diary for June 22, 1664, mentions a collection of rarities shown him by one Thompson, a Roman Catholic priest, sent by the Jesuits of Japan and China to France. Among the curiosities were "fans like those our ladies use, but much larger, and with long handles, strangely carved and filled with Chinese characters," which is evidently a description of the parasol.
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In John Florio's "A World of Words" (1598), the Italian word Ombrella is translated "a fan, a canopie. also a testern or cloth of state for a prince. also a kind of round fan or shadowing that they use to ride with in summer in Italy, a little shade."
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In Randle Cotgrave's "Dictionary of the French and English Tongues" (1614), the French Ombrelle is translated "An umbrello; a (fashion of) round and broad fanne, wherewith the Indians (and from them our great ones) preserve themselves from the heat of a scorching sunne; and hence any little shadow, fanne, or thing, wherewith women hide their faces fro the sunne."
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Kersey's Dictionary (1708) describes an umbrella as a "screen commonly used by women to keep off rain."
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Daniel Defoe's (c 1661–1731) Robinson Crusoe constructs his own umbrella in imitation of the ones he had seen used in Brazil. "I covered it with skins," he says, "the hair outwards, so that it cast off the rain like a pent-house, and kept off the sun so effectually, that I could walk out in the hottest of the weather with greater advantage than I could before in the coolest."
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Explorer Captain James Cook (1728-1779) in one of his voyages, mentions some of the natives of the South Pacific Islands, with umbrellas made of palm leaves.